The Count of Monte Cristo by Amanda Insalaco

Design By:
When I'm not creating 2D/3D graphics, developing 3D animated videos, or programming video games, I'm usually playing softball, cooking Italian food, playing the piano, or having fun with my family. I’ve always had a love for and interest in creating things that have a positive impact on people. I'm currently attending Doane University with the goal of completing a bachelor's degree in Graphic Design.
Design By:
When I'm not creating 2D/3D graphics, developing 3D animated videos, or programming video games, I'm usually playing softball, cooking Italian food, playing the piano, or having fun with my family. I’ve always had a love for and interest in creating things that have a positive impact on people. I'm currently attending Doane University with the goal of completing a bachelor's degree in Graphic Design.

Each poster is hand-printed and handled, to make sure that only the highest quality is offered and sent out. The matte paper and high quality of inks make for a vibrant image which looks great both framed, and au-naturel. Printed in Los Angeles, CA, on Epson Enhanced Matte Paper, heavyweight stock, high color gamut, using Epson UltraChrome HDR ink-jet technology. Framed posters offer the same, museum-quality printed poster, but wrapped in a protective black frame. The frame is lightweight and includes a shatter-resistant acrylite front protector, so it won't break in the mail. International orders may be subject to customs duties & taxes.

Proceeds Support:
The Digital Public Library of America amplifies the value of libraries as Americans’ most trusted sources of shared knowledge. They do this by proactively collaborating with partners in the field to accelerate innovative tools and ideas that empower and equip libraries to broaden digital access to information. Recovering The Classics is a crowdsourced collection of original book covers for some of the greatest works in the public domain, where anyone can contribute.

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Artist Statement

This entirely typographic cover shows the interlocking chains that follow Edmond Dantes even after he breaks after prison, that there is no Count of Monte Cristo without the prison chains. - Amanda Insalaco