$ 29.99
Each Creative Action Network poster is hand-printed and handled to make sure that only the highest quality is offered and sent out. The sturdy matte paper and premium inks create a vibrant, museum-quality image that looks great both framed and unframed. Posters are printed in Los Angeles, CA on Epson Enhanced Matte Paper heavyweight stock, with a wide color gamut and Epson UltraChrome HDR ink-jet technology. The framed poster arrives wrapped in a protective yet lightweight black frame and includes a shatter-resistant acrylite front protector that won't break during shipping. International orders may be subject to customs duties & taxes.
The Digital Public Library of America amplifies the value of libraries as Americans’ most trusted sources of shared knowledge. They do this by proactively collaborating with partners in the field to accelerate innovative tools and ideas that empower and equip libraries to broaden digital access to information. Recovering The Classics is a crowdsourced collection of original book covers for some of the greatest works in the public domain, where anyone can contribute.
Keely is an Editorial Coordinator at Harlequin. She lives and breathes romance novels, and in her spare time she is a freelance content designer. She has deep and abiding love for all things Jane Austen.
Keely is an Editorial Coordinator at Harlequin. She lives and breathes romance novels, and in her spare time she is a freelance content designer. She has deep and abiding love for all things Jane Austen.
I feel like Northanger Abbey is one of Austen's more unappreciated works. It brilliantly parodies gothic novels, and I have always felt her use of wit, irony, and satire constructs a feeling of accessibility. While the book was satirical, Austin also subtly promotes the gothic novel, as it was a way for young ladies of the time to sexually liberate themselves. Perhaps because it is one of her rougher novels, the sexuality is kind of pervasive, there are innuendos and references underlying the text. I wanted to create a cover that captured some of the psychological tension that Austen created around Catherine's delusions, while staying in line with the simplicity of my previous work. — Keely Kundell
