$ 25.49 $ 29.99
Each poster is hand-printed and handled, to make sure that only the highest quality is offered and sent out. The matte paper and high quality of inks make for a vibrant image which looks great both framed, and au-naturel. Printed in Los Angeles, CA, on Epson Enhanced Matte Paper, heavyweight stock, high color gamut, using Epson UltraChrome HDR ink-jet technology. Framed posters offer the same, museum-quality printed poster, but wrapped in a protective black frame. The frame is lightweight and includes a shatter-resistant acrylite front protector, so it won't break in the mail. International orders may be subject to customs duties & taxes.
The Digital Public Library of America amplifies the value of libraries as Americans’ most trusted sources of shared knowledge. They do this by proactively collaborating with partners in the field to accelerate innovative tools and ideas that empower and equip libraries to broaden digital access to information. Recovering The Classics is a crowdsourced collection of original book covers for some of the greatest works in the public domain, where anyone can contribute.
After years of servicing clients in the design of graphics & exhibitions, Bob decided to abandon the "BIG APPLE" and move upstate NY with his wife, to a rural community. They purchased a 1790 farmhouse that was built by a Revolutionary War veteran. Bob now devotes his creative efforts to satisfying the requirements of the surrounding wildlife. They are great clients he claims: They never complain.
After years of servicing clients in the design of graphics & exhibitions, Bob decided to abandon the "BIG APPLE" and move upstate NY with his wife, to a rural community. They purchased a 1790 farmhouse that was built by a Revolutionary War veteran. Bob now devotes his creative efforts to satisfying the requirements of the surrounding wildlife. They are great clients he claims: They never complain.
\"FRANKENSTEIN\" is the name of the monster\'s creator...not the monster. Through the years Hollywood has nurtured a misunderstanding about Shelley\'s story (thanks to Boris Karloff). My digitally adjusted version of an early engraving of a scientific practitioner, serves as the graphic theme for my cover of Mary Shelley\'s novel. In doing so I emphasize the man, Victor Frankenstein, the \"creator\"... not the \"monster\". — BOB RUBIN
