The Wind in the Willows by Terrion Collins

Wall Art

Each Creative Action Network poster is hand-printed and handled to make sure that only the highest quality is offered and sent out. The sturdy matte paper and premium inks create a vibrant, museum-quality image that looks great both framed and unframed. Posters are printed in Los Angeles, CA on Epson Enhanced Matte Paper heavyweight stock, with a wide color gamut and Epson UltraChrome HDR ink-jet technology. The framed poster arrives wrapped in a protective yet lightweight black frame and includes a shatter-resistant acrylite front protector that won't break during shipping. International orders may be subject to customs duties & taxes. 

Proceeds Support:
The Digital Public Library of America amplifies the value of libraries as Americans’ most trusted sources of shared knowledge. They do this by proactively collaborating with partners in the field to accelerate innovative tools and ideas that empower and equip libraries to broaden digital access to information. Recovering The Classics is a crowdsourced collection of original book covers for some of the greatest works in the public domain, where anyone can contribute.

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Design By: Terrion Collins

Terrion Collins is an illustrator in his senior at Columbia College Chicago. Many of his works represent his upbringings in animation and fictional culture as well as an occasional interest in realism. He has various skills in the arts that he is able to apply to his freelance and professional careers, ranging from digital to traditional techniques.

 

Design By: Terrion Collins

Terrion Collins is an illustrator in his senior at Columbia College Chicago. Many of his works represent his upbringings in animation and fictional culture as well as an occasional interest in realism. He has various skills in the arts that he is able to apply to his freelance and professional careers, ranging from digital to traditional techniques.

 

Artist Statement

The cover I have created is for the book "The Wind in the Willows" by Kenneth Grahame. I have taken a more modernized approach to the design by utilizing fully digital means as opposed to the many traditional style covers I've noticed. I sought to eliminate a lot of the noticeable cliches associated with the story and chose to focus on the characters themselves in order to create a more intimate relation with the viewer. — Terrion Collins