The Digital Public Library of America amplifies the value of libraries as Americans’ most trusted sources of shared knowledge. They do this by proactively collaborating with partners in the field to accelerate innovative tools and ideas that empower and equip libraries to broaden digital access to information. Recovering The Classics is a crowdsourced collection of original book covers for some of the greatest works in the public domain, where anyone can contribute.
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Artist StatementA humorous arrangement of some of the book\'s key words. — Robert Wallman
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Artist StatementA part typographic, part abstract depiction of the treacherous region where the book is based. — Robert Wallman
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Artist StatementThe illustration alludes to a key scene where Anne mistakenly dyes her red hair green instead of black. — Robert Wallman
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Artist StatementOne page makes her larger, one page makes her small... — Robert Wallman
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Artist StatementThis book cover is simple, yet it has fun drawings and images that describe what the book is about. — Tyler Ortiz
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Artist StatementâAny mind that is capable of a real sorrow is capable of good.â - Stowe — Karl Orozco
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Artist StatementA typographic depiction of the 12-year span as brutality scars on the author\'s skin. — Robert Wallman
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Artist StatementA graphic depiction of the main character\'s attempt to enter high society, symbolized by bubbling champagne. — Robert Wallman
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Artist StatementA humorous \"fight poster\" featuring the two main characters. — Robert Wallman
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Artist StatementA typographic depiction of the book\'s theme of religious enlightenment. — Robert Wallman
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Artist StatementA typographic depiction of the garden, with the robin which led to its discovery. — Robert Wallman
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Artist StatementA typographic depiction of the main character\'s eventual disfigurement. — Robert Wallman
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Artist StatementThe design surreally depicts a doorway and a key to the main character\'s personality, which is viewed differently by those who knew him. — Robert Wallman
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Artist StatementThe design abstractly depicts lightning in the scientific reanimation of life. — Robert Wallman
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Artist StatementThe illustration depicts turn of the century Dubliners. — Robert Wallman
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Artist StatementThe design alludes to the main character\'s nonconformity to \"The American Dream\", as well as his profession in real estate. — Robert Wallman
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Artist StatementThe illustration alludes to various scenes in the book -- happy and sad -- involving water. — Robert Wallman
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Artist StatementA typographic depiction of war. — Robert Wallman
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Artist StatementâThis hobble of being alive is rather serious, donât you think so?â â Thomas Hardy — Karl Orozco
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Artist StatementThe unraveling of the man. — Eldo Mathew
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Artist StatementI made my book cover using Adobe Photoshop CS6. Using different tools and a lot of thought, I created an illusion that told a story within the picture. I...
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Artist Statement* Hi I saw this title on the list but now I can\'t find the site. Now uploading it I\'ve just realised that it is not included. Maybe it...
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Artist Statement\"I wish someone would make my story into a sweater.\" -Charles Dickens* *not really, but I\'m sure he\'d be cool with it — Charles Thompson
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Artist StatementI read Anne of Green Gables when I was in 6th grade, and remember thinking that Anne\'s puffed sleeves were REALLY COOL. I wanted to include a picture of...
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Artist StatementA stylized representation of Dracula, rendered in a monochromatic palette. — George Harbeson
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Artist Statement\"I really donât know,\" the old lady brought out hesitatingly, \"you see Iâve never sold the dead before.\" — Ed Gaither
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Artist StatementI wanted to hint at the decaying decadence and feeling anonymous and uprooted. Sitting on a standing horse is generally a brief silence before moving. I also believe the...
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Artist StatementUsing period references, but without being to direct, I tried to create a sense of the novel without really giving it away. — Eben Haines
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Artist StatementThe original art for this cover is a drawing I made using graphite, acrylic, oil, and beeswax. Pulling from nineteen 20s imagery, and using very sparse text, I was...
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Artist StatementThis work was created to reflect an underlying element involved within the story of \"The Wonderful Wizard of Oz\". The design focuses on the secondary character, Glinda the Good...
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Artist StatementThis was one of those books that made an impression on me in school. The hand print represents the desperate bloodied soldiers in the dirt. The hole in the...
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Artist Statementone not of a set — Nick Fairbank
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Artist Statementone of a set — Nick Fairbank
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Artist Statementone not of a set — Nick Fairbank
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Artist Statementone of a set — Nick Fairbank
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Artist Statementone not of a set — Nick Fairbank