Twenty Thousand Leagues Under the Sea by Ben Farrow

Design By:
Ben Farrow

I'm a British digital artist who draws animals in suits, and sometimes other things, too. I'm an anthropomorphic artist, a graphic designer, sometimes a photographer, a proud furry, and a self-proclaimed geek. I currently live in Devon where I like to photograph old buildings, draw raccoons and be socially awkward.

 

Classic Literature
Design By:
Ben Farrow

I'm a British digital artist who draws animals in suits, and sometimes other things, too. I'm an anthropomorphic artist, a graphic designer, sometimes a photographer, a proud furry, and a self-proclaimed geek. I currently live in Devon where I like to photograph old buildings, draw raccoons and be socially awkward.

 

Each poster is hand-printed and handled, to make sure that only the highest quality is offered and sent out. The matte paper and high quality of inks make for a vibrant image which looks great both framed, and au-naturel. Printed in Los Angeles, CA, on Epson Enhanced Matte Paper, heavyweight stock, high color gamut, using Epson UltraChrome HDR ink-jet technology. Framed posters offer the same, museum-quality printed poster, but wrapped in a protective black frame. The frame is lightweight and includes a shatter-resistant acrylite front protector, so it won't break in the mail. International orders may be subject to customs duties & taxes.

Proceeds Support:
The Digital Public Library of America amplifies the value of libraries as Americans’ most trusted sources of shared knowledge. They do this by proactively collaborating with partners in the field to accelerate innovative tools and ideas that empower and equip libraries to broaden digital access to information. Recovering The Classics is a crowdsourced collection of original book covers for some of the greatest works in the public domain, where anyone can contribute.

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Artist Statement

My cover was made entirely in Adobe Illustrator. Whenever I think of 20,000 Leagues Under the Sea, the thing I remember most is the wrecked ships with a triangular hole punched through their hull. The triangular spike on the front of the submarine became the natural focal point of my design because for me, it is the defining feature of the Nautilus' design. — Ben Farrow