Dubliners by Dave Hall

Public Domain

Each Creative Action Network poster is hand-printed and handled to make sure that only the highest quality is offered and sent out. The sturdy matte paper and premium inks create a vibrant, museum-quality image that looks great both framed and unframed. Posters are printed in Los Angeles, CA on Epson Enhanced Matte Paper heavyweight stock, with a wide color gamut and Epson UltraChrome HDR ink-jet technology. The framed poster arrives wrapped in a protective yet lightweight black frame and includes a shatter-resistant acrylite front protector that won't break during shipping. International orders may be subject to customs duties & taxes. 

Proceeds Support:
The Digital Public Library of America amplifies the value of libraries as Americans’ most trusted sources of shared knowledge. They do this by proactively collaborating with partners in the field to accelerate innovative tools and ideas that empower and equip libraries to broaden digital access to information. Recovering The Classics is a crowdsourced collection of original book covers for some of the greatest works in the public domain, where anyone can contribute.

See More Designs From This Collection »

Design By: Dave Hall
Dave Hall

Dave Hall is a designer, writer and photographer who has been creating things since he first painted his parent's dining room wall as a crazy two year old. He is currently Head of UX & Design at HireHive.io.

 

Design By: Dave Hall
Dave Hall

Dave Hall is a designer, writer and photographer who has been creating things since he first painted his parent's dining room wall as a crazy two year old. He is currently Head of UX & Design at HireHive.io.

 

Artist Statement

This book was my first taste of ‘Literature’ in school, so it’s close to my heart. Nelson’s Pillar, erected on O’Connell Street by the British, is shown on the cover. It loomed large in Dublin life when the novel was published, both metaphorically and literally. The represents a phallic symbol penetrating the title, signifying the deep undercurrent of sexual anxiety throughout the stories and British domination of the Irish nation. I cut off Nelson\'s head to reference the surreal and anarchic nature of Joyce’s humour. — Dave Hall