Paradise Lost by John Coleman

Prints

Each Creative Action Network poster is hand-printed and handled to make sure that only the highest quality is offered and sent out. The sturdy matte paper and premium inks create a vibrant, museum-quality image that looks great both framed and unframed. Posters are printed in Los Angeles, CA on Epson Enhanced Matte Paper heavyweight stock, with a wide color gamut and Epson UltraChrome HDR ink-jet technology. The framed poster arrives wrapped in a protective yet lightweight black frame and includes a shatter-resistant acrylite front protector that won't break during shipping. International orders may be subject to customs duties & taxes. 

Proceeds Support:
The Digital Public Library of America amplifies the value of libraries as Americans’ most trusted sources of shared knowledge. They do this by proactively collaborating with partners in the field to accelerate innovative tools and ideas that empower and equip libraries to broaden digital access to information. Recovering The Classics is a crowdsourced collection of original book covers for some of the greatest works in the public domain, where anyone can contribute.

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Design By: John Coleman
Design By: John Coleman
Artist Statement

I took a class my senior year at Texas A&M titled \'The Literature of John Milton\' and all of his works, mainly Paradise Lost, had a lasting impact on my life. As a designer/illustrator, I knew I must try to capture some of this impact. The design I am submitting is mainly a typographical piece that captures the essence of Milton’s time while paying homage to the style of his poetry - it is brilliant, full of depth and interweaving yet has a an overall cohesiveness and beauty to it. To honor the story, the illustration of this design is based on the concept that Paradise existed and was therefore found (the sunshine) before being lost (the tumultuous sea). I wanted the aesthetic of the piece to represent how I was impacted - simple and concise linework, just like his words cut straight into me. — John Coleman