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Artist Statementcastle in the clouds; adobe illustrator and photoshop elements; a castle is symbolic of classic fairy tales — MARGO ALEXANDER
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Artist StatementMany parts of the book occur storms in winter. I imagined a figure that could be either Victor Frankenstein or his monster seen through an icy window. — Jim...
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Artist Statement\"I chose a minimalist style to convey the gothic horror of this classic novel. The title is understated in lower case type but also grounded in a pool of...
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Artist StatementEveryone needs a challenge, and why not a hundred covers. — Michael Nikola
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Artist StatementAn illustration of the book\'s 2-D world, with a threat of imprisonment for believing in 3-D and beyond. — Robert Wallman
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Artist StatementWhat a long, strange drip it\'s been... — Robert Wallman
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Artist StatementA typographic depiction of the main character, from a windmill\'s point of view. — Robert Wallman
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Artist StatementThe design abstractly depicts lightning in the scientific reanimation of life. — Robert Wallman
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Artist StatementThe illustration depicts turn of the century Dubliners. — Robert Wallman
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Artist StatementA stylized representation of Dracula, rendered in a monochromatic palette. — George Harbeson
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Artist Statement\"I really donât know,\" the old lady brought out hesitatingly, \"you see Iâve never sold the dead before.\" — Ed Gaither
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Artist StatementWhat is being depicted for the viewer is a moment where Dracula has already claimed his most recent victim. The viewer has this moment to gaze into the eye...
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Artist StatementI made this as an example for a class that I am teaching. — Paul Bond
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Artist StatementThe shape in the center is a visual description of a three dimensional object passing through two dimensional space. The other elements are depictions of the two dimensional beings...
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Artist Statementone of a series — Nick Fairbank
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Artist Statementone of a series — Nick Fairbank
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Artist Statementone of a series — Nick Fairbank
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Artist Statement..one of a series — Nick Fairbank
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Artist StatementI love romantic stories, but this one, by Thomas Hardy, is about more than the love between two people. It was written in the 1874, but revised in 1895...
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Artist Statementone of a set of 9 — Nick Fairbank
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Artist Statementemerald green & a shamrock — Nick Fairbank
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Artist StatementThe background has names of the stories in the book — Kourtney Erickson
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Artist StatementManual Cover — Andrew Burton
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Artist StatementDigital Cover — Andrew Burton
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Artist StatementA centuries-old Carpathian warlord poses as an aristocratic gentleman in Victorian London. Stoker's classic of civility and savagery using vampirism as a metaphorical gateway for the repressed desires of...
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Artist StatementCircle, meet Triangle. Triangle, meet Square. Square, meet Sphere. Wait...what? — J.R.J. Sweeney
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Roberto is a brazilian illustrator and graphic designer. He loves books, movies, and 2D Animation. Recovering the Classics is a crowdsourced collection of original covers for 50 of the greatest...
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Luis is an Argentine-born graphic designer and advertising freelancer. He is passionate about visual communications and coffee. Recovering the Classics is a crowdsourced collection of original covers for 50 of...
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Artist StatementCover in a vintage style showing the two main characters. — Roberlan Borges
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Artist Statement( please leave blank -- self-explanatory ) — Robert Wallman
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Artist StatementI loved reading Jules Verne's scientific adventure novels growing up, and decided to design covers for three of his classics - 20,000 Leagues Under the Sea, Journey to the...
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Artist StatementAs with most of my designs I went very minimalistic, depicting the main elements I remember from the story. — Kjell-Roger Ringstad
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Artist StatementI love the tea party scene with Alice, The Mad Hatter and the March Hare. I wanted this cover to be a mix of childishness and chaos. — Coral...
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Artist StatementI redesigned the book cover for Cyrano de Bergerac by . I hand lettered the title "Cyrano de Bergerac" to show what I think would have been his signature,...
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Artist StatementThe guillotine serves to represent the hostility and terror of the French Revolution. — Jennifer Davis
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Artist StatementThe illustration alludes to a key scene in the book involving Agnes and baby birds. — Robert Wallman