$ 29.99
Each Creative Action Network poster is hand-printed and handled to make sure that only the highest quality is offered and sent out. The sturdy matte paper and premium inks create a vibrant, museum-quality image that looks great both framed and unframed. Posters are printed in Los Angeles, CA on Epson Enhanced Matte Paper heavyweight stock, with a wide color gamut and Epson UltraChrome HDR ink-jet technology. The framed poster arrives wrapped in a protective yet lightweight black frame and includes a shatter-resistant acrylite front protector that won't break during shipping. International orders may be subject to customs duties & taxes.
Proceeds support the Anti-Defamation League, the nation's premier civil rights/human relations agency, fighting anti-Semitism and all forms of bigotry, defends democratic ideals and protects civil rights for all. We Were Strangers Too is a collection of designs showing how diverse and universal the refugee experience truly is.
Mark Forton aka mafMOVE is a contemporary mixed media artist. His work has been described as a “collage of abstract forms and modern POP interlocked in a digitized dreamscape.” Originally from Michigan, he used to reside in sunny California and now again resides in less sunny Michigan. www.mafmovement.com
Mark Forton aka mafMOVE is a contemporary mixed media artist. His work has been described as a “collage of abstract forms and modern POP interlocked in a digitized dreamscape.” Originally from Michigan, he used to reside in sunny California and now again resides in less sunny Michigan. www.mafmovement.com
These images represent the universal language of uncertainty, hope, and anxiety any child or adult would have of being uprooted by war, poverty, or the promise of a better life in a new country. Leaving everything you knew behind opens the door for the promise of tomorrow. We all have something to contribute to society-we all need to ensure refugees flourish in whichever country the live in. My family were refugees of World War I and these images show refugees from that era. — Mark Forton
